Natalie Portman is an amazing actor and young woman. She's not only beautiful and talented, but she's also intelligent and kind, luminous on screen and stunning in person, and full of integrity. An only child, she was born in Jerusalem, Israel on June 9, 1981. In the late 1980s, her family moved to the U.S., eventually settling on New York's Long Island. Her father is an infertility specialist and her mother is a homemaker. After a dance class in 1991, Natalie was discovered by a modeling scout in a pizza parlor. She said "no thanks" to modeling, but did express an interest in acting, something she pursued at summer theatre camp. Soon she found herself cast as a lead character in Luc Besson's Léon or The Professional when just 13 years old. From her very first film, Natalie was tagged with star quality. In Léon (1994), her character Mathilda befriends a rugged hitman played by Jean Reno. He serves as her mentor, and she becomes his savior. This intense film won Natalie popular attention and critical acclaim. She then had several smaller, yet memorable, roles. In Michael Mann's Heat (1995), she had a dark part as Al Pacino's suicidal stepdaughter. Next up was her scene-stealing turn in Ted Demme's Beautiful Girls (1996) as a precociously attractive, wise-beyond-her-years ingénue who captures the heart of Timothy Hutton. Her next films, Woody Allen's Everyone Says I Love You and Tim Burton's Mars Attacks! (both 1996), let Natalie act alongside a wide array of superstars, including Alan Alda, Goldie Hawn, Drew Barrymore, Edward Norton, Jack Nicholson, Glenn Close, and Martin Short. Natalie made her Broadway debut as the title character in a revised version of The Diary of Anne Frank when she was 16. For this role, critics noted her grace as well as her unfettered talent and youthful exuberance. She skyrocketed to international superstardom when she starred as the wise young leader Queen Amidala in George Lucas's Star Wars: Episode I - The Phantom Menace (1999). She then starred opposite Susan Sarandon in Anywhere But Here (1999), for which she was nominated for a Golden Globe Award, and Stockard Channing and Ashley Judd in Where the Heart Is (2000). In the summer of 2001, she returned to the New York stage in Mike Nichols's production of Chekhov's The Seagull, starring with Meryl Streep, Kevin Kline, John Goodman, and Philip Seymour Hoffman. She appeared in the sequels Star Wars: Episode II - Attack of the Clones and Star Wars: Episode III - Revenge of the Sith. She won a Golden Globe for her part in Closer and starred in the independent hit Garden State in 2004. More recent roles include the heroine in V for Vendetta (2005), dual roles in Goya's Ghosts (2006), and as the infamous Anne Boleyn in The Other Boleyn Girl (2008).
The types of roles Natalie plays are generally strong yet sensitive souls, reflecting her own grounded maturity. Although the provocative nature of some of her earlier roles (including the questionable relationships her character has with much older men in both Léon and Beautiful Girls) has caused some to wonder what kind of parents this young lady has, the reality is that the well-spoken and charming prodigy and her family have made continuous efforts to keep her from being exploited on and off the screen. "Portman" is a stage name; the real family name, Hershlag, was shielded from the press until she finished college. She has turned down movies such as Romeo + Juliet and the remake of Lolita due to what she and her parents thought was inappropriate subject matter or situations, and Natalie had a sex scene cut out from the script of Anywhere But Here. Natalie is very close with her parents: "The best part about being friends with your parents is that no matter what you do, they always love you." Eschewing cigarettes, drugs, alcohol, and other vices in interviews, Natalie often seems like a goody-two-shoes. But she just is self-assured, strong, and pure. Since attending college and gaining some life experiences, she has become more reasonable in her outlook toward what she will depict onscreen. Talentwise she has been compared to a young Jodie Foster. But she's never had professional acting classes. "I'm not really someone who wants to study acting; when you're working in a field so long it seems kind of pointless to work on it. I think one of the best things for acting is just the spontaneity; there is a certain realness that you get from not having 'technique.' I've never been taught any technique or method for acting, so it's just like if I feel it or I don't. For stagework you need a lot more technique. I don't really like intellectualizing it; emotions are more important." And what of her beauty? In that, and in her natural grace, she has been frequently compared to a young Audrey Hepburn or Elizabeth Taylor. "I've never really thought about being beautiful. It's not that I'm insecure - I might look at a picture of me and think it's a beautiful picture. But believe me, I can take awful pictures, too. I've just tried not to concentrate that hard on looks. I care what I look like, but eventually, looks fade. I know that's a cliché, but it's true. Sometimes I think people who are not attractive have it easier, because when they get older, they've really developed the other parts of themselves - their personalities, their intelligence."
In recent years, Natalie has felt more of the pressures of being a celebrity. She is uncomfortable with people staring at her, asking for autographs, and taking her picture. But Natalie has always tried not to let acting interfere with her real life, even attending high school on Long Island full-time while performing in The Diary of Anne Frank on Broadway eight times a week. She had long wanted to play that role: "I decided to do this play because I am truly convinced that people need to be constantly reminded of compassion. We have starving people, war-torn countries and children who will not have the chance to change the world as they should... It is the least I can do in tribute to Anne Frank, who has helped me become a better human being. Every day, when I go to rehearsal, petty problems that seem like traumas are put back into perspective and become trivial." She has a refreshingly clear outlook on Hollywood and a rare passion for education that complement her natural talent and unquestionable screen presence. She also is a compassionate animal lover who became a vegetarian at age eight. "I went to a medical conference with my dad where they were demonstrating laser surgery on a chicken. I think at that point I made the connection that animals were killed for meat." Upset that that chicken had to die, she has been a vegetarian ever since. Natalie is fluent in Hebrew and also speaks French and Japanese. A straight-A student since elementary school, Natalie received numerous honors upon high school graduation. Her favorite subject was math, because, as she says, "there's always an answer." She placed out of a whole year at Harvard and graduated as a psychology major. Natalie loves learning, especially languages and science. When focused on her education, she admitted that acting may not be where her future lies, but is something she just lucked into. In 1994 she said: "I'm going to college. I don't care if it ruins my career. I'd rather be smart than a movie star." What else might she do? She says acting is more of a hobby for her. Her priorities are family and education. She is also a philanthropist. "I have considered just not doing anything, going away writing, having kids and animals. I have considered doing psychology research or applying to business, law or politics... I just want to do a lot of things, I don't think I'll ever be satisfied just doing one thing." I'm sure the future holds many, many things for Natalie Portman. Even though she has achieved great success as an actor, she is not limiting herself to that career: "I don't really know if acting would have ultimately become my passion as an adult, or if there's something else I would have found had I not been in the pizza shop. That's what college is helping me investigate." The things I personally admire her most for are her commitment to her own education, compassion for animals, and not being afraid to be herself, even though she's decidedly un-Hollywood. Obviously it hasn't hurt her a bit! |